Jerry brown biography cowboys and aliens
•
Cast
(In Order of Appearance)[]
| Jake Lonergan | DANIEL CRAIG |
| Alice | ABIGAIL SPENCER |
| Wes Claiborne | BUCK TAYLOR |
| Luke Claiborne | MATT TAYLOR |
| Mose Claiborne | COOPER TAYLOR |
| Meacham | CLANCY BROWN |
| Percy Dolarhyde | PAUL DANO |
| Jed Parker | CHRIS BROWNING |
| Nat Colorado | ADAM BEACH |
| Doc | SAM ROCKWELL |
Maria . . . . . . . . . . . . . . . . . . . . . . . . ANA de la REGUERA
Emmett Taggart . . . . . . . . . . . . . . . . . . . . . NOAH RINGER
Deputy . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN DUFFY
Ella Swenson . . . . . . . . . . . . . . . . . . . . . . . OLIVIA WILDE
Sheriff John Taggart . . . . . . . . . . . . . . KEITH CARRADINE
Charlie Lyle . . . . . . . . . . . . . . . . . . . . . . BRENDAN WAYNE
Ed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GAVIN GRAZER
Roy Murphy . . . . . . . . . . . . . . . . . . . . . . . . . . TOBY HUSS
Little Mickey . . . . . . . . . . . . . . . . . . . . . . WYA
•
A tall, wavy-haired US actor with a deep, resonant voice, Clancy Brown has proven han själv a versatile performer with first-class contributions to theatre, feature films, television series and even animation.
Clarence J. Brown III was born in 1959 in Urbana, Ohio, to Joyce Helen (Eldridge), a concert pianist, conductor, and composer, and Clarence J. "Bud" Brown, Jr., who helped manage the Brown Publishing Company, the family-owned newspaper started by Clancy's grandfather, Clarence J. Brown. Clancy's father and grandfather were also Republican congressmen from the same Ohio district, and Clancy spent much of his ungdom in close proximity to Washington, D.C. He plied his dramatic talents in the Chicago theatre en plats där en händelse inträffar ofta inom teater eller film before moving onto feature film with a sinister debut performance bullying Sean Penn inre a ungdom reformatory in Bad Boys (1983). He portrayed Viktor the Monster in the unusual spin on the classic Frankenstein story in The Bride (1985), before scorin
•
Following last week’s look at the odd history of the science-fiction Western, I offer a more detailed defense of 2011’s Cowboys & Aliens (warning: spoilers ahead). Like my article on Addicted to Love, this was written as an entry for Lovefest, an ongoing series organized by commenters on film website The Dissolve. The only requirement for Lovefest is that it is an appreciation of a movie that flopped, was panned by critics, and/or is generally forgotten.
The title Cowboys & Aliens promises a high-concept romp. In interviews featured on the Blu-ray, writers Roberto Orci and Alex Kurtzman and director Jon Favreau mention that the title alone of Scott Mitchell Rosenberg’s comic book series got them excited, and perhaps Universal’s marketers assumed that audiences would be similarly turned on by the prospect of B-movie thrills in a genre mash-up. Further, the involvement of Favreau, known for witty banter and a slyly comic approach (whether directing Will Ferrell in