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TheJakartaPost
he sequel to horror film Keramat brings unrelenting, believable terror that subtly creeps into the viewer’s psyche, but it is toned down with unintentional comic relief and sometimes, unnecessarily lavish production.
On its 2009 release, Keramat emerged as a nerve-racking, definitive Indonesian horror film that capitalized efficiently on the mockumentary format that was booming at the time.
Thirteen years later, director Monty Tiwa has returned with a generationally relevant sequel in Keramat 2: Caruban Larang, as well as a newfound fascination for the cheap thrills of the past by bringing on board budding writer and B-movie enthusiast Azzam Fi Rullah. Nevertheless, the sequel seems headed for a different aesthetic.
Mystery Machine
In Keramat 2, Lutesha Sadhewa, Keanu Angelo and Ajil Ditto play a version of themselves as YouTubers who have been trying to build a following by exploring local mysticism since the late 2010s. This is indicated in