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Nursing students often find that their schedules are crammed with exams, clinical shifts, homework assignments, and (if we’re lucky) a few hours per night to sleep. Not-so-shockingly, this kind of fast-paced and heavily-scheduled lifestyle doesn’t metamorphose overnight into a laid-back, comfortable lifestyle filled with opportunity for spontaneity and pursuit of newfound passions once we walk across the stage and add a few more letters to our names. This reality often leads to professionals who eat, sleep, and breathe nursing, and it leads to professionals who burn out and quickly become un-enamored with their careers. So, how do we keep the bright-eyed and bushy-tailed freshman nursing students bright-eyed and bushy-tailed until they retire? We seek balance.
If you don’t find time to make a life outside of the hospital or office, you’re going to find that you start to resent your career and you dread waking up and hauling yourself into work day after day and week after week. Now,
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Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Film
A scene from director Yasujirō Ozu’s 1933 silent gangster film Dragnet Girl.
Ozu 120: The Complete Ozu Yasujiro
through August 13
Harvard Film Archives, Cambridge
This landmark series spotlights the films of one of cinema’s greatest artists, Yasujirō Ozu. From RogeretEbert.com: “He broke every rule there was and did it the subtlest way possible. Ozu’s films exercised the most discreet rebellion against cinematic norm. Widely considered the most Japanese of all film directors, his films feature no heroes or villains. We simply witness life in motion. When we arrive at a significant moment, Ozu cuts to ‘pillow shots’ or perfectly composed shots of landscapes, street signs, or inanimate objects. The idea was to give viewers room to breathe or provide them with the time to contemplate what they had just see